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The Indian ExpressMarch 11, 2026

Jessie Buckley knows now: Thou shalt not cross the cat

One may anger critics, fans, or even the venerable Academy of Motion Picture Arts and Sciences, but one can only anger cat lovers at one’s peril. A now-viral anecdote by Jessie Buckley, widely tipped for Oscar glory for playing Shakespeare’s wife Agnes in Chloé Zhao’s Hamnet, has led to a belated digital inquisition against the Irish actor. On the Happy Sad Confused podcast in November, Buckley recalled giving her then-boyfriend — now husband — an ultimatum over his pets, one of whom seemed to have taken an irrational dislike to her: “It’s me or the cats.” The cats lost the tug of war. That single act of heartlessness might, the cat brigade has pointed out, lead to the 36-year-old losing out on the Oscars as feline retribution.

Buckley has since attempted a diplomatic retreat, explaining that she not only once auditioned for the 2019 musical, Cats, but also, in fact, remains a committed cat lover. Unfortunately, the court of public opinion is rarely moved by belated declarations of allegiance — evidence is considered only insofar as it confirms guilt or prejudice. Or, to put it in Shakespeare’s words, “The lady doth protest too much.”

The fandom of cats, of course, is not a modern phenomenon. In ancient Egypt, cats were associated with the goddess Bastet, protector of hearth and home. Killing a cat, even by accident, was punishable by death. Owners shaved their eyebrows as a mark of grief when a family cat died, ending the mourning period only when their eyebrows grew back. When it comes to cats, not much has changed except raised brows replacing shaved ones. Cats, after all, enjoy the ultimate tentpole advantage: Nine lives and an audience predisposed to root for them. That leaves the human on the decidedly shakier footing.

Key GK Takeaways for CLAT
  • 1The editorial's reference to ancient Egyptian laws punishing cat killing by death highlights historical reverence for animals. In modern India, the Prevention of Cruelty to Animals Act, 1960, criminalises various forms of animal abuse, while the Bharatiya Nyaya Sanhita (BNS) also includes provisions for mischief causing harm to animals (e.g., Section 303 BNS for mischief causing death or maiming of an animal). These laws reflect a societal shift towards protecting animal welfare through legal frameworks.
  • 2Jessie Buckley's "digital inquisition" exemplifies how social media amplifies public opinion, significantly impacting celebrity careers and endorsements. The "court of public opinion" can swiftly influence a public figure's brand value and social standing, demonstrating the immense power of collective sentiment in the digital age, often overriding traditional media narratives. This phenomenon underscores the economic vulnerability of public figures to online backlash.
  • 3The "cat brigade's" reaction to Jessie Buckley's anecdote illustrates how public opinion acts as an informal governance mechanism, enforcing social norms and accountability outside formal legal or political structures. This "digital inquisition" reflects a form of social justice, where collective sentiment, rather than state apparatus, determines perceived guilt and metes out "retribution," influencing individual behaviour and public discourse.
  • 4Jessie Buckley's "diplomatic retreat" to mitigate public backlash demonstrates the critical role of public relations in managing international perception for global figures. In an interconnected world, cultural sensitivities and individual actions can trigger widespread reactions, necessitating strategic communication to preserve one's image. This mirrors state-level diplomacy where managing public sentiment across borders is crucial for maintaining international standing.